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Since the Autumn I have been taking more photographs of people than places. Through a Facebook advert I had seen that 36exp run bite-size evening workshops and I signed up for one on off-camera flash since the dark evenings had also resulted in me using my flashgun quite extensively.
The course was really fun and also my first experience of shooting with a professional model. This was quite intimidating at first, but Julie was very professional and it was a lot less stressful than when trying to get the perfect photo that family demand, but have little patience to achieve!
The first three photographs were all shot with a single light on to the camera’s right. I do not remember if the light was modified with a soft box or umbrella. One immediate thing I observed was that light stands need to be very high—we are used to seeing light shine down from a very high angle from both the sun and ceiling lights, so to achieve a natural look the light needs to be positioned above the model and angled down.
This shot introduced a second light onto the back of the model’s head to highlight her hair. I really like the effect of the hair light, but I am not sure it works well in this context.
These last two used a single light on the model and a second light to illuminate the background. While editing this collection I realised that filters and effects make a lot more sense for photographs where the subject is the main focus. With my travel photography I am aiming to capture the atmosphere I experienced, whereas here the entire scene is constructed at the direction of the photographer, and so it is very logical to continue the creative process into the darkroom.
I really enjoy documenting my travels on this blog, but despite living in one of the greatest cities in the world, I rarely spend time photographing it. A few months ago I found myself walking around SE1 with my camera and a few minutes to play at being a tourist.
Our name came out of the tennis club ballot for Wimbledon this year—Court 1 tickets on the final day. With the Centre Court roof protecting the schedule from rain delays, it is no longer likely to see any main draw matches on Court 1 on the final Sunday but the atmosphere in the ground was fantastic and we saw potential future stars in the boys’ singles and doubles finals, plus some very entertaining invitation doubles.
The eventual winner of the boys’ singles was a tall American named Reilly Opelka with a giant serve. I had some fun capturing it using the “Slow-Mo” video mode on my camera.
I also recorded an entire point of the doubles, here it is at 6x speed.
Leading up to the event, mention of the Olympics in conversation led to pessimistic discussions of two weeks enforced working from home or even “escaping” London before the city gridlocked. While road users moaned about lanes being reserved for IOC bureaucrats, official websites indicated that there would be a 30 minute wait to board trains at key underground stations.
A week into the event and everything has changed. The transport and general chaos that everyone thought inevitable has not materialised. The transport has been no busier than usual, the attendees’ tube etiquette no worse than the standard tourists, and at times it has seemed that the only delay was due to officious one way systems that continued to be enforced despite deserted passageways.
I, for one, am really glad that I did not leave town for the duration. The clutch of gold medals won by Team GB have undoubtedly helped kindle interest in the games, but there is also a great atmosphere in the city. Sports rarely heard of in Britain, such as beach volleyball, have won new converts with their party atmosphere and many nations are hosting a “hospitality house” with exhibitions, concerts and parties. You can even spot medal winners on the bus!
And what about that much vaunted legacy of the games? With so much success by both sexes in boats and on bikes, surely it is time to end the illusion that men’s football is our national game?
Photographs from day five of the Olympic tennis tournament at the All England Club in Wimbledon. We saw Victoria Azarenka and Maria Kirilenko on the practice courts in the morning. Then Roger Federer v Denis Istomin, Azarenka v Petrova, and Sabine Lisicki against Maria Sharapova from some great seats on the Number 1 court.
A letter to The Independent recently quoted the following sentence from an article about the Big Society as an example of obscure writing.
Public sector mutualisation and budgetary takeover by citizens of the state is a crucial initial phase in endowing ordinary citizens with the power to ensure that the services they run are operated in a way which combines public interest with economic efficiency and localised employee ownership building in all the gains that this model delivers.
I would not disagree that the final clause (“building in all the gains that this model delivers.”) is unnecessary and should have been pruned by a good editor, but a complex concept cannot be explain in simple terms.
Mutualisation refers to idea of collectives/co-operatives, for example, building societies. “Public sector mutualisation” is therefore makes people co-owners of the public sector changing the model from one where they are customers or consumers.
budgetary takeover by citizens is a (too) concise term for having spending allocations and priorities determined by citizens and not civil servants.
services they run refers to public sector services now co-owned by the ordinary citizen where said citizen has high level input into budgets and policy but implementation remains with the public sector.
combines public interest with economic efficiency—money is spent in line with public expectations with minimal administration costs. I think it interesting that “public interest” was chosen here instead of “public good”, but this is a post about language not politics so I will not examine that further.
Contemporary mediums with low character limits such as text messages and twitter encourage dense, terse and economic phrasing so I find it surprising that someone would complain about a sentence which is all of these things. However perhaps at 348 characters (requiring three tweets) it was the length that offended the letter-writer?
[Mostly typed one-handed due to a broken collar bone; enforced R&R at home has given me too much time to read and consider such things!]
On Wednesday I went to a fantastic gig by KT Tunstall. I had already listened to (and mostly liked) her new album via Spotify but the concert confirmed that this was music worth owning (such an outmoded concept!). Here is a short survey of a consumer’s music purchasing options as of this week:
The cheapest price for a physical CD was £8.49 at Amazon. Spotify means I have no requirement for the instant gratification afforded by downloads and a CD also provides the highest fidelity with no worry about digital loss, but there is a lifetime storage cost of such low density physical media.
Amazon will also sell me the same album in 256kbps MP3 format for £7.49.
7digital are a competing digital download service and the price was £7.99. I was impressed with their “digital locker” feature which allows repeat downloads of your purchases, automatically providing an offsite backup. The files were also encoded at the higher rate of 320kbps and can be downloaded as a zipfile in your web browser, unlike Amazon which requires you to use a separate application.
For an iTunes user the iTunes store is arguably the most convenient method of buying music, and the price matches 7digital, £7.99. Like Amazon there is no option to re-download and the bitrate is the lower-but-probably-not-noticeable, 256kbps. The store is so popular I am assuming that in the long term there should be no significance attached to the files being in the AAC format instead of MP3.
Having enjoyed KT providing some context for the songs on the new album I also looked to see if any store would provide me with electronic sleeve notes. iTunes offers a digital version of the DVD (for the same price as Amazon charges for physical media) but no store offered any non-music extras.
Conclusion? I decided 7digital offered the best combination of convenience, durability, quality and price because physical storage space is at a premium in a flat, and good off-site backup is a significant cost.
Bermondsey Street runs south from the always busy1 “More London” riverside but (fortunately!) few tourists seem keen to venture under the imposing railway bridge to visit. Consequently it normally has a quiet village-like atmosphere, there’s even a little park half way down which might be the Village Green.
While end of year retrospectives may seem like a good way for journalists to fill column inches during a period traditionally bereft of good new source material, I think it is healthy to be reminded of the recent past, to re-evaluate events within a wider context and a little bit of hindsight, and also marvel at how things which now seem so distant were actually recent (for example the day that London turned white).
Highlights for me in 2009 have undoubtedly been changing job, getting married and buying a flat—2010 is going to have a hard time living up to that! Holiday destinations in 2009 included San Francisco (including an amazing day of ski-ing in the sunshine in Tahoe), Gdansk and Sussex.
The three events mentioned in highlights did not leave me very much time to write about these trips here, or in fact write very much at all. There was also less need for me to write here to draw people’s attention to something: if I publish my photographs to Picasa Web then they are automatically pulled into Facebook and my friends are notified through in their new feed. The biggest change in web publishing in 2009 was not actually about the publication but consumption: twitter and the aforementioned Facebook news stream have provided non-techies with an interface to a facility geeks have had for years with a feed reader.
Traditionally, at this point, a review article should turn towards predictions for the new year. I do not have a prediction but a hope, that having to register individually for websites will become to be regarded as outmoded and unfashionable as blinking text. Not for important (or even semi-important) websites, but for “disposable” logins of low importance, privacy and security, I should really like to avoid having to generate a user/password combination and go through the rigamarole of “verification”. Do I ask too much?
The sheer convenience of being able to upload directly from iPhoto means that many of my photographs from 2009 have gone to Picasa web albums instead of this website. However during a recent upload I noticed that during the process the photographs were being overly sharpened which had the effect of creating ugly artefacts on buildings with intricate decoration (e.g. churches). The odd thing is that if you upload jpgs one at a time via the web interface, this did not happen.
Looking back to some photographs from earlier in the year you can see this else where. For example compare this photo of Rosie at the top of a cold and windy church tower to the Picasa version below.
Picasa was convenient but perhaps it is time to return to hosting my own photographs?